140 bars of 4/4 at 120 BPM, about 4:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 20, 28 and 64-78 -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 2 times: bars 57 and 139.
140 bars across 12 sections: 88 keep time, 2 are fills, 3 are stops and 42 are silent. The longest unbroken stretch of time is bars 14-29.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
140 bars, about 4:40 at the written tempo. The course breaks it into 28 exercises over 11 sittings, about 21 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 57 and 139.