137 bars at 225 BPM -- fast, and 2:35 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 62-64, 70-72 and 74 -- 5.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 50 times: bars 7, 8, 9, 10, 11, 12 and 44 more.
23 more fills are written out on the fills page.
137 bars across 17 sections: 48 keep time, 50 are fills, 11 are stops and 16 are silent. The longest unbroken stretch of time is bars 19-24.
225 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 97 out of 100; the rest of the number is everything around it.
137 bars, about 2:35 at the written tempo. The course breaks it into 69 exercises over 24 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 50 times: bars 7, 8, 9, 10, 11, 12 and 44 more.