146 bars at 156 BPM -- fast, and 3:45 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 49-50, 53-56 and 61, and 5 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 17 times: bars 6, 30, 62, 88, 95, 96 and 11 more.
7 more fills are written out on the fills page.
146 bars across 17 sections: 94 keep time, 17 are fills, 10 are stops and 10 are silent. The longest unbroken stretch of time is bars 32-49.
156 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
146 bars, about 3:45 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 6, 30, 62, 88, 95, 96 and 11 more.