177 bars of 4/4 at 150 BPM, about 4:38 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 64-70 and 80-87 -- 9.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 29, 30, 45, 105, 111, 113 and 3 more.
3 more fills are written out on the fills page.
177 bars across 21 sections: 110 keep time, 9 are fills, 17 are stops and 14 are silent. The longest unbroken stretch of time is bars 32-41.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 90 out of 100; the rest of the number is everything around it.
177 bars, about 4:38 at the written tempo. The course breaks it into 71 exercises over 22 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 29, 30, 45, 105, 111, 113 and 3 more.