49 bars of 4/4 at 150 BPM, about 1:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 29-31 and 33-34, and 2 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 4, 8, 15, 19, 23, 24 and 9 more.
4 more fills are written out on the fills page.
49 bars across 6 sections: 17 keep time, 15 are fills, 11 are stops and 3 are silent. The longest unbroken stretch of time is bars 9-14.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
49 bars, about 1:18 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 4, 8, 15, 19, 23, 24 and 9 more.