87 bars at 164 BPM -- fast, and 2:07 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 42, 44 and 46, and 2 more places -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 48, 52, 56, 61, 62, 64 and 8 more.
4 more fills are written out on the fills page.
87 bars across 14 sections: 27 keep time, 14 are fills, 13 are stops and 25 are silent. The longest unbroken stretch of time is bars 41-45.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
87 bars, about 2:07 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 48, 52, 56, 61, 62, 64 and 8 more.