112 bars of 4/4 at 140 BPM, about 3:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13, 15 and 21, and 26 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 16 times: bars 8, 12, 20, 32, 36, 44 and 10 more.
9 more fills are written out on the fills page.
112 bars across 13 sections: 48 keep time, 16 are fills, 30 are stops and 6 are silent. The longest unbroken stretch of time is bars 16-19.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
112 bars, about 3:12 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 16 times: bars 8, 12, 20, 32, 36, 44 and 10 more.