297 bars of 4/4 at 125 BPM, about 9:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 225-231, 233-239 and 241-247, and 6 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 30 times: bars 42, 44, 46, 56, 88, 90 and 24 more.
1 more fill is written out on the fills page.
297 bars across 15 sections: 219 keep time, 30 are fills, 1 is a stop and 34 are silent. The longest unbroken stretch of time is bars 225-295.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 19 out of 100; the rest of the number is everything around it.
297 bars, about 9:30 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 30 times: bars 42, 44, 46, 56, 88, 90 and 24 more.