103 bars of 4/4 at 147 BPM, about 2:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 3-14, 39-50 and 75-78, and 1 more place -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 13 times: bars 22, 26, 28, 30, 58, 62 and 7 more.
103 bars across 11 sections: 74 keep time, 13 are fills and 2 are silent. The longest unbroken stretch of time is bars 3-13.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
103 bars, about 2:48 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 13 times: bars 22, 26, 28, 30, 58, 62 and 7 more.