102 bars of 4/4 at 135 BPM, about 3:01 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 15 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 4 times: bars 41, 42, 100 and 101.
102 bars across 6 sections: 88 keep time, 4 are fills and 1 is a stop. The longest unbroken stretch of time is bars 19-40.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
102 bars, about 3:01 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 41, 42, 100 and 101.