101 bars at 162 BPM -- fast, and 2:30 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 59-65 and 67-72 -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 12, 36, 37, 38, 46, 47 and 5 more.
2 more fills are written out on the fills page.
101 bars across 13 sections: 74 keep time, 11 are fills and 5 are silent. The longest unbroken stretch of time is bars 18-32.
162 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
101 bars, about 2:30 at the written tempo. The course breaks it into 38 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 12, 36, 37, 38, 46, 47 and 5 more.