90 bars of 4/4 at a walking 92 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 45, 47 and 49, and 5 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 24 times: bars 2, 4, 6, 7, 8, 9 and 18 more.
4 more fills are written out on the fills page.
90 bars across 6 sections: 34 keep time, 24 are fills, 28 are stops and 1 is silent. The longest unbroken stretch of time is bars 22-26.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
90 bars, about 3:49 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 24 times: bars 2, 4, 6, 7, 8, 9 and 18 more.