98 bars of 4/4 at a walking 106 BPM, 3:37 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-25, 43-49 and 90-96 -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 20 times: bars 26, 28, 29, 30, 32, 33 and 14 more.
4 more fills are written out on the fills page.
98 bars across 9 sections: 52 keep time, 22 are fills, 1 is a stop and 18 are silent. The longest unbroken stretch of time is bars 54-70.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
98 bars, about 3:37 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 26, 28, 29, 30, 32, 33 and 14 more.