645 bars, 37:48, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 36-42, 44-54 and 56-58, and 7 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
42 fills to learn, played 70 times: bars 23, 27, 43, 65, 74, 75 and 64 more.
38 more fills are written out on the fills page.
645 bars across 65 sections: 368 keep time, 70 are fills, 34 are stops and 108 are silent. The longest unbroken stretch of time is bars 309-338.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
645 bars, about 37:48 at the written tempo. The course breaks it into 204 exercises over 54 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
42 fills to learn, played 70 times: bars 23, 27, 43, 65, 74, 75 and 64 more.