101 bars of 4/4 at 140 BPM, about 2:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 24-34, 52-62 and 82-88, and 1 more place -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 20 times: bars 5, 13, 35, 38, 39, 42 and 14 more.
7 more fills are written out on the fills page.
101 bars across 13 sections: 56 keep time, 20 are fills, 12 are stops and 4 are silent. The longest unbroken stretch of time is bars 53-63.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
101 bars, about 2:51 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 5, 13, 35, 38, 39, 42 and 14 more.