138 bars of 6/4 -- not four -- at 140 BPM, 5:31 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 67-81 -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 21 times: bars 9, 10, 12, 13, 14, 15 and 15 more.
11 more fills are written out on the fills page.
138 bars across 13 sections: 56 keep time, 21 are fills, 2 are stops and 52 are silent. The longest unbroken stretch of time is bars 68-81.
140 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
138 bars, about 5:31 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 21 times: bars 9, 10, 12, 13, 14, 15 and 15 more.