394 bars of 4/4 at a walking 103 BPM, 16:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 47-48, 51-52 and 55-56, and 9 more places -- 9.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 58 times: bars 13, 14, 15, 16, 17, 18 and 52 more.
20 more fills are written out on the fills page.
394 bars across 38 sections: 212 keep time, 58 are fills, 29 are stops and 49 are silent. The longest unbroken stretch of time is bars 63-77.
103 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
394 bars, about 16:45 at the written tempo. The course breaks it into 139 exercises over 51 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 58 times: bars 13, 14, 15, 16, 17, 18 and 52 more.