81 bars of 4/4 at a walking 83 BPM, 3:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 42-44, and 5 more places -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 27 times: bars 2, 4, 6, 7, 8, 9 and 21 more.
6 more fills are written out on the fills page.
81 bars across 10 sections: 44 keep time, 27 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 67-80.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
81 bars, about 3:46 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 27 times: bars 2, 4, 6, 7, 8, 9 and 21 more.