218 bars at 200 BPM -- fast, and 4:22 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 45-46, and 10 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 6, 41, 89, 128, 143 and 162.
1 more fill is written out on the fills page.
218 bars across 18 sections: 81 keep time, 6 are fills, 97 are stops and 15 are silent. The longest unbroken stretch of time is bars 59-65.
200 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
218 bars, about 4:22 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 6, 41, 89, 128, 143 and 162.