150 bars at 210 BPM -- fast, and 2:51 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-5, 10-13 and 42-45, and 4 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 25 times: bars 17, 21, 24, 25, 29, 32 and 19 more.
4 more fills are written out on the fills page.
150 bars across 13 sections: 98 keep time, 25 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-12.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
150 bars, about 2:51 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 25 times: bars 17, 21, 24, 25, 29, 32 and 19 more.