268 bars of 4/4 at 130 BPM, about 8:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 8-9, 11-12 and 14-15, and 6 more places -- 7.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 48 times: bars 5, 31, 32, 33, 34, 48 and 42 more.
10 more fills are written out on the fills page.
268 bars across 30 sections: 131 keep time, 48 are fills, 13 are stops and 45 are silent. The longest unbroken stretch of time is bars 8-22.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
268 bars, about 8:29 at the written tempo. The course breaks it into 102 exercises over 35 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 48 times: bars 5, 31, 32, 33, 34, 48 and 42 more.