78 bars, 4:27, at 70 BPM: slow enough that every note is exposed. Crash, ride, snare, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 28-29, 36-39 and 48-49, and 1 more place -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 35, 40 and 47.
78 bars across 11 sections: 57 keep time, 3 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 13-19.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
78 bars, about 4:27 at the written tempo. The course breaks it into 33 exercises over 12 sittings, about 24 minutes each.
crash, ride, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 35, 40 and 47.