70 bars of 4/4 at a walking 100 BPM, 2:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 14-15 and 22-23, and 2 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 12, 16, 24, 39, 52, 54 and 1 more.
1 more fill is written out on the fills page.
70 bars across 11 sections: 41 keep time, 7 are fills, 4 are stops and 11 are silent. The longest unbroken stretch of time is bars 57-64.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 99 out of 100; the rest of the number is everything around it.
70 bars, about 2:57 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 12, 16, 24, 39, 52, 54 and 1 more.