136 bars of 4/4 at 120 BPM, about 4:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14, 16 and 18, and 36 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 29 times: bars 37, 38, 39, 40, 48, 73 and 23 more.
6 more fills are written out on the fills page.
136 bars across 7 sections: 95 keep time, 29 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 5-33.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
136 bars, about 4:32 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 29 times: bars 37, 38, 39, 40, 48, 73 and 23 more.