172 bars at 165 BPM -- fast, and 4:10 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-23, 30-32 and 60-65, and 1 more place -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 40 times: bars 5, 6, 7, 8, 9, 13 and 34 more.
15 more fills are written out on the fills page.
172 bars across 20 sections: 93 keep time, 40 are fills, 6 are stops and 11 are silent. The longest unbroken stretch of time is bars 99-112.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
172 bars, about 4:10 at the written tempo. The course breaks it into 62 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 40 times: bars 5, 6, 7, 8, 9, 13 and 34 more.