120 bars, 6:50, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 37-43, 82 and 84-86 -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 4, 8, 16, 24, 25, 26 and 12 more.
6 more fills are written out on the fills page.
124 bars across 14 sections: 54 keep time, 18 are fills, 6 are stops and 28 are silent. The longest unbroken stretch of time is bars 96-102.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
120 bars, about 6:50 at the written tempo. The course breaks it into 44 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 4, 8, 16, 24, 25, 26 and 12 more.