70 bars of 6/4 -- not four -- at 98 BPM, 4:06 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-5, 7 and 9, and 4 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 12 times: bars 2, 6, 8, 26, 30, 32 and 6 more.
4 more fills are written out on the fills page.
70 bars across 8 sections: 24 keep time, 12 are fills and 25 are silent. The longest unbroken stretch of time is bars 18-22.
98 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
70 bars, about 4:06 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 2, 6, 8, 26, 30, 32 and 6 more.