371 bars of 4/4 at a walking 80 BPM, 21:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 18 more places -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 44 times: bars 17, 48, 66, 68, 77, 95 and 38 more.
26 more fills are written out on the fills page.
371 bars across 32 sections: 173 keep time, 44 are fills, 38 are stops and 76 are silent. The longest unbroken stretch of time is bars 225-238.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
371 bars, about 21:35 at the written tempo. The course breaks it into 128 exercises over 34 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 44 times: bars 17, 48, 66, 68, 77, 95 and 38 more.