95 bars of 4/4 at 125 BPM, about 3:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 80-81, 84-85 and 88-89, and 1 more place -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 17 times: bars 1, 2, 7, 9, 19, 33 and 11 more.
7 more fills are written out on the fills page.
95 bars across 9 sections: 63 keep time, 17 are fills, 7 are stops and 1 is silent. The longest unbroken stretch of time is bars 10-18.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
89 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 50 out of 100; the rest of the number is everything around it.
95 bars, about 3:02 at the written tempo. The course breaks it into 41 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 1, 2, 7, 9, 19, 33 and 11 more.