281 bars of 4/4 at 142 BPM, about 7:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 235-238, 240-242 and 244-253, and 8 more places -- 9.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 37 times: bars 20, 28, 36, 38, 40, 42 and 31 more.
18 more fills are written out on the fills page.
281 bars across 28 sections: 191 keep time, 37 are fills, 14 are stops and 6 are silent. The longest unbroken stretch of time is bars 195-216.
142 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
281 bars, about 7:57 at the written tempo. The course breaks it into 102 exercises over 39 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 37 times: bars 20, 28, 36, 38, 40, 42 and 31 more.