132 bars of 4/4 at 145 BPM, about 3:38 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 21 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 38 times: bars 3, 8, 12, 13, 14, 15 and 32 more.
10 more fills are written out on the fills page.
132 bars across 14 sections: 61 keep time, 39 are fills, 7 are stops and 7 are silent. The longest unbroken stretch of time is bars 127-131.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
132 bars, about 3:38 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 38 times: bars 3, 8, 12, 13, 14, 15 and 32 more.