146 bars at 174 BPM -- fast, and 3:21 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 40-42, 44-46 and 83-85, and 3 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 38 times: bars 14, 18, 22, 26, 32, 35 and 32 more.
14 more fills are written out on the fills page.
146 bars across 21 sections: 67 keep time, 38 are fills, 19 are stops and 14 are silent. The longest unbroken stretch of time is bars 56-62.
174 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
146 bars, about 3:21 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 38 times: bars 14, 18, 22, 26, 32, 35 and 32 more.