88 bars, 4:45, at 74 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 28-33 and 77-82 -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 8, 16, 21, 23, 25, 27 and 9 more.
5 more fills are written out on the fills page.
88 bars across 12 sections: 52 keep time, 15 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 10-15.
74 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
88 bars, about 4:45 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 8, 16, 21, 23, 25, 27 and 9 more.