162 bars of 4/4 at a walking 100 BPM, 6:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-28 and 75-76 -- 6.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 31 times: bars 14, 15, 16, 17, 18, 19 and 25 more.
13 more fills are written out on the fills page.
162 bars across 19 sections: 82 keep time, 31 are fills, 19 are stops and 7 are silent. The longest unbroken stretch of time is bars 22-28.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
162 bars, about 6:43 at the written tempo. The course breaks it into 81 exercises over 25 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 31 times: bars 14, 15, 16, 17, 18, 19 and 25 more.