187 bars of 5/4 -- not four -- at 180 BPM, 5:54 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 17-19 and 21-23, and 3 more places -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 29 times: bars 8, 20, 24, 25, 27, 34 and 23 more.
8 more fills are written out on the fills page.
187 bars across 17 sections: 71 keep time, 29 are fills, 4 are stops and 62 are silent. The longest unbroken stretch of time is bars 81-87.
180 BPM, in 5/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
187 bars, about 5:54 at the written tempo. The course breaks it into 56 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 29 times: bars 8, 20, 24, 25, 27, 34 and 23 more.