156 bars of 3/4 -- not four -- at 84 BPM, 5:34 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 50-57, 109-123 and 141-148 -- 19.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 12 times: bars 9, 10, 11, 12, 13, 14 and 6 more.
156 bars across 12 sections: 130 keep time and 12 are fills. The longest unbroken stretch of time is bars 18-39.
84 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
156 bars, about 5:34 at the written tempo. The course breaks it into 41 exercises over 15 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 9, 10, 11, 12, 13, 14 and 6 more.