148 bars of 4/4 at 120 BPM, about 4:55 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-14, 27-28 and 31-33, and 5 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 19 times: bars 22, 38, 42, 59, 67, 83 and 13 more.
4 more fills are written out on the fills page.
148 bars across 12 sections: 108 keep time, 20 are fills and 1 is a stop. The longest unbroken stretch of time is bars 116-147.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 30 out of 100; the rest of the number is everything around it.
148 bars, about 4:55 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 22, 38, 42, 59, 67, 83 and 13 more.