179 bars of 4/4 at a walking 85 BPM, 8:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 50-52, 54 and 56, and 4 more places -- 11.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 30 times: bars 8, 25, 33, 35, 41, 49 and 24 more.
17 more fills are written out on the fills page.
179 bars across 13 sections: 110 keep time, 32 are fills and 19 are stops. The longest unbroken stretch of time is bars 10-16.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
179 bars, about 8:23 at the written tempo. The course breaks it into 67 exercises over 19 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 30 times: bars 8, 25, 33, 35, 41, 49 and 24 more.