343 bars of 4/4 at 120 BPM, about 11:11 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 23 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 18, 28, 97, 105, 113, 121 and 3 more.
1 more fill is written out on the fills page.
343 bars across 25 sections: 131 keep time, 9 are fills, 49 are stops and 135 are silent. The longest unbroken stretch of time is bars 124-141.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
343 bars, about 11:11 at the written tempo. The course breaks it into 71 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 18, 28, 97, 105, 113, 121 and 3 more.