135 bars at 179 BPM -- fast, and 3:01 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29, 31 and 33, and 8 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 32 times: bars 2, 4, 18, 19, 36, 49 and 26 more.
13 more fills are written out on the fills page.
135 bars across 13 sections: 66 keep time, 32 are fills, 26 are stops and 6 are silent. The longest unbroken stretch of time is bars 50-56.
179 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
135 bars, about 3:01 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 32 times: bars 2, 4, 18, 19, 36, 49 and 26 more.