97 bars at 210 BPM -- fast, and 1:51 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-9, 11-15 and 17-18, and 4 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 19, 35, 38, 45, 52, 53 and 4 more.
2 more fills are written out on the fills page.
97 bars across 10 sections: 63 keep time, 10 are fills, 12 are stops and 6 are silent. The longest unbroken stretch of time is bars 21-34.
210 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
97 bars, about 1:51 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 19, 35, 38, 45, 52, 53 and 4 more.