204 bars of 4/4 at a walking 89 BPM, 9:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-35, 67-72 and 74-80, and 6 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 36 times: bars 36, 37, 38, 39, 40, 41 and 30 more.
4 more fills are written out on the fills page.
204 bars across 16 sections: 113 keep time, 36 are fills, 30 are stops and 4 are silent. The longest unbroken stretch of time is bars 112-126.
89 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
204 bars, about 9:10 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 36 times: bars 36, 37, 38, 39, 40, 41 and 30 more.