164 bars, 11:25, at 55 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 35, 37 and 39-46, and 3 more places -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 38 times: bars 1, 2, 3, 4, 5, 6 and 32 more.
7 more fills are written out on the fills page.
171 bars across 17 sections: 111 keep time, 38 are fills, 5 are stops and 5 are silent. The longest unbroken stretch of time is bars 117-131.
55 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 79 out of 100; the rest of the number is everything around it.
164 bars, about 11:25 at the written tempo. The course breaks it into 59 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 38 times: bars 1, 2, 3, 4, 5, 6 and 32 more.