125 bars of 4/4 at 130 BPM, about 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 83-84, 87-88 and 91-92, and 3 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 26 times: bars 4, 5, 12, 13, 20, 21 and 20 more.
7 more fills are written out on the fills page.
126 bars across 15 sections: 80 keep time, 26 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 98-108.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
125 bars, about 3:49 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 26 times: bars 4, 5, 12, 13, 20, 21 and 20 more.