202 bars of 4/4 at 150 BPM, about 5:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-29, 32-35 and 38-41, and 3 more places -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 29 times: bars 6, 7, 30, 36, 53, 55 and 23 more.
5 more fills are written out on the fills page.
205 bars across 16 sections: 151 keep time, 30 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 165-180.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
98 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 87 out of 100; the rest of the number is everything around it.
202 bars, about 5:18 at the written tempo. The course breaks it into 63 exercises over 29 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 29 times: bars 6, 7, 30, 36, 53, 55 and 23 more.