133 bars of 4/4 at 144 BPM, about 3:42 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-5, 7 and 11, and 10 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 14 times: bars 18, 20, 24, 60, 64, 86 and 8 more.
6 more fills are written out on the fills page.
133 bars across 15 sections: 95 keep time, 14 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 65-76.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
133 bars, about 3:42 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 14 times: bars 18, 20, 24, 60, 64, 86 and 8 more.