68 bars of 4/4 at a walking 88 BPM, 3:05 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 21-22 and 37-39, and 5 more places -- 32.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 16 times: bars 20, 36, 40, 43, 44, 48 and 10 more.
2 more fills are written out on the fills page.
68 bars across 9 sections: 41 keep time, 16 are fills and 6 are silent. The longest unbroken stretch of time is bars 1-12.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
68 bars, about 3:05 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 20, 36, 40, 43, 44, 48 and 10 more.