134 bars, 7:13, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 26, 28 and 53, and 13 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 47 times: bars 22, 23, 24, 25, 27, 29 and 41 more.
12 more fills are written out on the fills page.
134 bars across 16 sections: 64 keep time, 47 are fills and 10 are silent. The longest unbroken stretch of time is bars 14-20.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
134 bars, about 7:13 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 47 times: bars 22, 23, 24, 25, 27, 29 and 41 more.