245 bars of 4/4 at 121 BPM, about 8:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 37-39, 45-47 and 117-119, and 3 more places -- 8.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 76 times: bars 12, 20, 28, 36, 37, 38 and 70 more.
11 more fills are written out on the fills page.
245 bars across 18 sections: 52 keep time, 76 are fills, 61 are stops and 37 are silent. The longest unbroken stretch of time is bars 150-155.
121 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 79 out of 100; the rest of the number is everything around it.
245 bars, about 8:01 at the written tempo. The course breaks it into 56 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 76 times: bars 12, 20, 28, 36, 37, 38 and 70 more.