120 bars of 4/4 at 122 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-18, 23-30 and 35-42, and 15 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 26 times: bars 4, 9, 10, 19, 20, 21 and 20 more.
5 more fills are written out on the fills page.
120 bars across 6 sections: 78 keep time, 27 are fills and 8 are stops. The longest unbroken stretch of time is bars 78-101.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
120 bars, about 3:56 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 26 times: bars 4, 9, 10, 19, 20, 21 and 20 more.